There's a plugin that can help with this by RE:Vision Effects. And like this, they flicker in/out on a regular basis due to the nature of the electrical current (frequency) and the nature of the bulb. Having a flicker of one direction with an LED bulb, while a supposedly clean daylight flourescent gives a different color. I've seen this sort of thing with a number of different "modern" lights. What I think this may well be is the light source of the image itself. After getting asked how I grade my footage, I was inspired to create a conversion LUT for CLOG3 that is natural and beautiful. And thanks for including the scopes, you can see it in the upper left waveform quite clearly. I had to check your scopes for that flicker, as I couldn't see it in the image. NO OTHER app does the process the way their Basic tab does, with the LUT applied first. I've argued this for year with their chief color scientist. The generic LUTs (LOG to 709 and 709 to LOG) may be useful under certain conditions. ![]() You apply a conversion LUT to your footage, then you color grade or apply a second LUT for the look. Then use the Basic tab controls to trim or fit the clip into the LUT. Canon C-Log to Rec.709 DJI D-Log to Rec.709 Generic LOG to Rec.709 Generic Rec.709 to LOG GoPro Protune to Video Panasonic Cine-D to Rec.709. In Premiere, that means using the Creative tab dropdown for any normalization/transform LUTs. Use in any color grading app like DaVinci Resolve, Final Cut Pro, Adobe Premiere, and more BUT If you want to take your S-Log 3 Color Grades to the NEXT LEVEL, check out our Color Grading S-Log 3 Course. To get your clip to fit what the LUT expects to see. Below, you’ll find our free color transform LUT for Sony S-Log 3 footage. So any transform LUT should be applied with the capability to trim the exposure, black/white points, contrast, and saturation prior to the LUT. and as long as you feed the LUT a clip with the exact same exposure/contrast/lighting color, it's cool. So LUTs are built under a specific lighting color/intensity-exposure/contrast. this pixel on input changes to that pixel on output. colorists call LUTs "the dumbest math out there". Looking for a free LUT to apply to your C-Log footage from a Canon cinema camera, mirrorless camera or DSLR We have you covered with this custom C-log look, available for download right here. I've also attached a video of the weird green and pink flickering happening.Īnyone have any ideas for these two issues? I am very new to color grading shooting in log, so fully accept the possibility that there is user error happening here.įirst bit of advice about grading log. I've attached before and after screenshots of a clip with and without the LUT applied, at 100% intensity. 709 LUT, I've tried reducing the intensity of the LUT, but nothing really makes a strong difference. The second thing is I’ve noticed a lot of what I think is banding? More noticeable on some clips than others, but essentially it’ll go from green to pink and there will be a TON of noise revealed. ![]() All the reds look pretty pink, and people look extra pink. First thing I noticed is that the footage has a lot of pink happening. ![]() In color correction, I am applying a clog3 to rec709 LUT. I'm currently trying to color correct and color grade.
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